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New Release. Hold On Don’t Cry


This song is an about having to say good bye when a couple of lovers has to be separate for long periods at a time during their time at work or service and having to hold on. All Music by Pete Hopkins, Video production shot at the Waldorf Astoria Beverly Hills by Videographer Pamela Manning on her Iphone 12, edited on CapCut a free editing software by Pamela Manning.

 

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Out To Sea


Yacht rock has a new ambassador in Pete Hopkins famously known as the artist who can and does defy genre classification with ease and mystery. Hopkins’ blue eyed soul tinged vocals tell a touching story about his departure from a new love for a musical journey on a ship “out to sea” and the inner struggle of weighing the odds of what this may mean for their relationship. Produced by Pete Hopkins who played all the instruments and backed by r&b singer Brian Cody on Background vocals. Out to Sea is as poignant as it is catchy. Out to sea also debuts Pete Hopkins on the tenor saxophone, an instrument he picked up during the pandemic. Pete Hopkins’ new romance also happens to be the director of this video, Pamela Manning. They are a dynamic duo who fuel each other’s fire.

Out to Sea
– Apple Music – https://music.apple.com/us/album/out-…
Spotify – https://open.spotify.com/track/01VKW3…
Pandora – https://pandora.app.link/PrPv9Tq7Hvb
Iheart Radio – https://www.iheart.com/artist/pete-ho…

Out to Sea

Words and music by Pete Hopkins and Brian Cody

Remember Me
I don’t know if we can make it
Time and space always bring changes
Can we still grow separated
Or will we cave and let it break us
Separated let it break us

Will we survive
These cold nights
Without each-other’s embrace don’t cry
Can we endure the rising tide?

Now I’m going (going out)
Going out to sea (out to sea)
And I don’t know my (I don’t know)
My Destiny (my destiny)
Now I’m going (going out)
Going out to sea (out to sea)
I hope when I return (I return)
You remember me (remember me)
Yeah yeah

You knew on the day I met you
It may come to when we had to
Say goodbye and go our own way
I try to keep those thoughts far at bay
Separated… don’t let it break us

Will we survive
These cold nights
Without each-other’s embrace don’t cry
Can we endure the rising tide?

Now I’m going (going out)
Going out to sea (out to sea)
And I don’t know my (I don’t know)
My Destiny (my destiny)
Now I’m going (going out)
Going out to sea (out to sea)
I hope when I return (I return)
You remember me (remember me)

I am leaving shallow waters
slipping further faster farther
I am trying to keep steady
if I fall would you forgive me

Will we survive
These cold nights
Without each-other’s embrace don’t cry
Can we endure the rising tide?

Now I’m going (going out)
Going out to sea (out to sea)
And I don’t know my (I don’t know)
My Destiny (my destiny)
Now I’m going (going out)
Going out to sea (out to sea)
I hope when I return (I return)
You remember me

(Please remember me)
Now I’m going (going out)
Going out to sea (out to sea)
(Please remember me)
And I don’t know my (I don’t know)
My Destiny (my destiny)
Now I’m going (going out)
Going out to sea (out to sea)
(Please remember me)
I hope when I return (I return)
You remember me
Please remember me

#yachtrock #loveballad #soul #singersongwriter #petehopkins
#blueeyedsoul #musicvideo #digitalpam #pamelamanning #

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New Christmas Release Oh Holy Night


There was a snowfall out of the blue in the middle of the night on the night I arrived in Seattle, WA. This video was shot on an iPhone 12. “Oh Holy Night” was released the day after Thanksgiving and is available on all platforms Oh Holy Night on Apple Music https://music.apple.com/us/album/oh-h… Oh Holy Night on Spotify https://open.spotify.com/album/0MOPpK… #OHolyNight #ohholynightmusic #snowfall #Petehopkins #christmas #christian #PamelaManning #seasonsgreetings O Holy Night! The stars are brightly shining It is the night of the dear Savior’s birth! Long lay the world in sin and error pining Till he appear’d and the soul felt its worth. A thrill of hope the weary soul rejoices For yonder breaks a new and glorious morn! Fall on your knees Oh hear the angel voices Oh night divine Oh night when Christ was born Oh night divine Oh night divine Truly He taught us to love one another His law is love and His gospel is peace Chains shall He break for the slave is our brother And in His name all oppression shall cease Sweet hymns of joy in grateful chorus raise we, Let all within us praise His holy name Christ is the lord let ever ever we praise we His power and glory evermore evermore proclaim Oh night divine Oh night Oh night divine

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New Release out Boogie Till Yah Dead


“Just Gonna Boogie”…”Boogie”…. “Boogie Till I’m Dead”  “Boogie Till Dead” “Boogie Till Yah Dead

Five different spellings and wordings and also as many versions of this song before finally settling on the pseudo-disco, dance floor, funky, fun banger version complete with soaring falsetto “bee geesesque” vocal hook “Boogie Till Yah Dead”

This tune originally was born of a collaboration between myself and Kristian Borresen, a keyboardist, producer friend I made from Norway who I had met while participating in an event called 50/90 which is an undertaking to write and record 50 songs in 90 days.  Kristian liked my voice and sent me a little snippet of music and I wrote some words pretty quickly just kinda on the fly… I am normally a fairly introspective writer who takes great care in crafting the words of his works. But this song… just made me wanna dance… or… boogie.  So that was it!

But wait… the story doesn’t end there.  I was.. around the same time.. working on productions with another friend of mine Chris Andrews originally from Georgia and who happened to be my neighbor just two doors down in my LA top floor apartment building and who would become my best friend until me and my ex split and she moved in with him (platonic and not how it sounds.. in short… he’s gay) and it severed our friendship quite a bit… but that’s another story altogether.  So anyways…. I digress… Chris liked my lyric and melody but thought that the music and my vocal production (or lack thereof) was not up to snuff and requested I let him work with me on it to make it even cooler.  And he sure did.  We sure did…. we made what I believe to be one of the most innovative productions to come out in a long time.  I had become enamored with dubstep and he comes from a background of dance music and electronica.  I strapped on my Stratocaster and threw in a healthy dose of funky pickin’ and wokka chickin’ and then tore up a solo over a very dub-steppe vibed out bridge that I had written. We both spent a good long while patting each other on the back for the good, good work we had created together.  Alas, Kristian Borresen’s original 8 bars of music did not make the cut and to be honest I cannot remember how it even went.  He was very understanding about how it went and we’re still friends so that’s a good thing.
I’d like to check in with Chris and Kris and see what they are up to these days…

Okay so as I said there are five versions of this song that led up to the final release that I’m now celebrating FINALLY releasing for my adoring fans and the general populace. But here are some more rather truncated highlights of things that happened along the way.  When i started this song I was a self taught music producer about two years later I was awarded a scholarship to Cre8 Music Academy (Westlake Audio, Michael Jackson, Thriller, Adele, The Weeknd, Imagine Dragons etc where i learned to make records from the pros and so I opened up my Boogie logic session with my new sets of skills and proceeded to level it up in every way possible.

Enter Deakon Lekross and my project known as “Get Back VAL”  Get Back VAL www.getbackval.com  was my attempt at trying to have a band after many years of going solo because bands are hard and inevitably just never work out.  I met this amazing guitar player whilst jamming at The Namm Show with Roni Lee and I was so taken by his ability when we finished I said “I don’t know what we can do together but no matter what I know it would be amazing”  We exchanged info and kept in touch and a friendship was born.
I knew exactly who I wanted to play drums in Get Back Val… my buddy and amazing drummer Edo Tancredi who I had met several years before at my other friend Kamasi Washington’s performance at The Piano Bar when he was a part of the West Coast Get Down. WCG was a group I used to perform with from time to time and who spawned many excellent funkateers such as Thundercat and Miles Mosley to name a couple. So anyways…  I finally talked Edo (hired gun for life) into recording songs for Get back Val. SO there I was with a band!  Get Back Val – Pete Hopkins Lead singer, Guitarist and 100% songwriter and producer. Deakon Lekross lead guitar and Edoardo Tancredo drums…  we never did wrangle a bassist… and Get Back VAL as of now is Pete Hopkins and… umm… whoever else I choose to involve. call me Trent Reznor. 🙂 Long story longer here is what happened… in a nutshell I had written some songs that were totally poppy and dance in nature and I got the idea that it might sound rad if they had a hard rock shell around them.  And I was right! I think Get Back Val is truly an awesome sounding project and I have high hopes that some of that stuff still get’s a real shot. “Love Me” is an epic tune and represents I believe the best of what that project has sounded like to date… Sooo… long story even longer… Deakon rocked the shit out of “Boogie Till I’m Dead” and it was pretty bad ass… but some part of me was feeling like maybe it had now gone too far away from it’s funky roots and dance disco vibe… I had some conflict bout how to handle that because he was now a part of the song and I’ve always been one to be very sensitive to the feelings of other musicians and creatives.  It was eventually made simpler because Deakon decided to go solo and quit the band and Edo never really wanted to be in a band to begin with so i was then free to do whatever I pleased with it all.. which let’s be real… that is exactly how i like to do things. So I stripped all of Deakon’s guitar work out but I left Edo’s live drums and worked my electronica drum programming into it and layers and layers and layered… till it was satisfied.  It was almost there… ALMOST!
I had everything about where it was meant to be except I had started to feel like it needed a hook to tie it all together.  So in the chorus that was largely instrumental in nature… I stuck some vocals in the only register that was left (which was somewhere up in disco falsetto land) and sang the words with
funky flare and gusto “Boogie…. Till Ya Dead”

Despite having been developing this song fo years…I  still feel like I am rushing the hell out of the release of the video and the song… and it’s all because of two main things that I’m now officially releasing BTYD into the wild….
One is my amazing photographer and videographer and partner in crime Miss Pamela Manning. The other is my mom’s boyfriend Jeff Rice who happened to have a black light for us in the guest bedroom in Seattle where we are currently staying for one more night before heading back to LA. Pamela and I have a knack for not sleeping and letting the creative juices go wild… Thus the video was born and is being edited as i write this.

The song is now available via pre release as of today.. Here’s the link. https://distrokid.com/hyperfollow/petehopkins/boogie-till-yah-dead    Boogie will be officially released just before Halloween… So get ready.. Cause it’s time to  “Boogie Till Yah Dead”  -Pete Hopkins

 

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Time Won’t Wait


My tribute to

a great man, a great drummer and a great friend. I will miss you Alan White.
You sound fantastic on this!
lyrics
Time Won’t Wait

Words and Music by Pete Hopkins

I’m lying in bed
All these thoughts running through my head
I’m sure you know what I mean

Here in this life
In all of our lives
We could all use a little more time
It’s never enough
And it keeps going on this way and

Time won’t wait for anyone any day
Time throws fate ever-on come what may
Come what may

Not long ago I lost a friend
who battled it out with a bottle
And the bottle it won in the end
All I could say when I got the call
Was how that I wish we’d had a little more time
It’s never enough and now he’s so far away and

Time won’t wait for anyone any day
Time throws fate ever-on come what may

Time won’t wait for anyone any day
Time throws fate ever-on come what may

Come what may

Give me more time
If only for one day
if only for one day
credits


Released June 14, 2022

Written and produced by Pete Hopkins
Mixed by Matt Gruber at Thermal Power Recording
Mastering www.hopkinsound.com

Drums- Alan White
All vocals- Pete Hopkins
All guitars-Pete Hopkins
Keys/Rhodes- Pete Hopkins
Hammond B3/Synths/Synth-strings- Marino Corriea
Bass and Cello- Phillip Peterson
license
all rights reserved

 

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Pete Hopkins, Professional Musician, Hollywood News, and Jeff Buckley Talk


BDH #37 – Pete Hopkins, Professional Musician, Hollywood News, and Jeff Buckley Talk
Hollywood doesn’t just stand for TV and Movies. Music plays a huge role in this industry. This is why we decided to sit down and talk with professional musician Pete Hopkins. This dude is fan-f’ing-tastic. Burn Down Hollywood premiered Pete Hopkins new track “Extraordinary”. We had so much fun chatting about Hollywood, and music culture with this dude. This was a genuinely fun podcast. Best thing is…. Dennis got to talk about Jeff Buckly a bit… his all time favorite musician. You Must Listen. Super Good Stuff. Cast: Dennis D’Antin, Mario Loya, Pete Hopkins.

 

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The story behind “Time Won’t Wait”


Song link in Bio: My tribute to a great man, a great drummer, and a great friend. I will miss you Alan White. Alan is playing impeccably as was always the case.
I originally wrote this song to cope with the loss of a dear friend of mine,

Billy Baker

.
I had the privilege of having the legendary Alan White *YES, John Lennon,

George Harrison) record the drums.
Alan White is a man i now also call a friend and now mourn the loss of deeply as he passed on about two weeks ago.
I am releasing this song on what would have been Alan’s 73rd birthday.
My heart goes out to the family and loved ones of our dearly departed.
I present to you “Time Wont Wait


Play it so loud it reaches into the heavens and may it give you comfort in your life when you are facing loss, be that today or some time down the road. We all regrettably and inevitably lose so much as time goes by and there will never be enough time. So live today, because tomorrow is not promised. Time Wont Wait. -PH In loving memory for my friends
Alan White and Billy Baker

Alan White
“I met Pete Hopkins, a young musical artist, in 2009 when we performed for the Rock & Roll Hall of Fame Foundation benefit concert in North Carolina.
Pete has gone on to write and record lots of great music and today he’s releasing a Christmas song using a backing track we recorded a few years ago. I hope you will listen to it and be inspired by its heartfelt message of love and hope.”
—Alan

 

 

Pamela Manning

This song means a lot to me, I knew Billy and  to hear this song brings back fond memories. It is a comfort to me to have this remembrance in such a beautiful fashion.  Thank you Pete Hopkins for this song.”
—Pamela Manning

 

 

 

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2017 Mic Shoot


out: Aston Spirit vs. Telefunken Elam 251, Neumann M149, and Neumann U87

he Aston Spirit is a high-performance, switchable pattern, large diaphragm condenser microphone utilising a 1” gold evaporated capsule. A switch on the mic body selects from Omni, Cardioid or Figure-of-Eight polar patterns. It is versatile enough to use with most instruments and excels on acoustic guitar and vocals. Its Aston 33 panel selected capsule is teamed with high-end transformer balanced circuitry using only the best components.

The Spirit is designed to deliver a beautifully open sound with sparkling harmonics. This highly accurate microphone gives a stunningly natural and transparent recording, capturing all the detail in the high range but without adding the harshness that some condenser microphones seem to.

Spirit or Origin? Which is the right LDC for you?

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South Bay Music Awards – Love So Real Live!


Pete Hopkins was presented with the “Producer’s Choice” award for “Best Independent Artist” at this year’s South Bay Music Awards and premiered a live acoustic performance of his new song “Love So Real” a song slated to be released in the coming year. Hopkins enthralled his audience with silky sweet tones and an effortless vocal delivering that had audience members talking about Hopkins the whole night. South Bay Music Awards were held at The Redondo Beach Performing Arts Center in Redondo Beach, California.

 

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